The CIA has had a long history in Holly­wood. During the 1950s, CIA asset Luigi G Luraschi used his posit­ion as head of censorship at Paramount Studios to bring film content in line with the Agency’s ideals. Scenes that portrayed the US in a bad light were cut; films such as High Noon (1952) were prevented from receiving certain industry awards; and well dressed ‘negroes’ were placed in lavish on-screen environ­ments to suggest that the US didn’t have a race problem. In order to tame or otherwise subvert their content, the CIA also covertly assisted on the film adaptations of George Orwell’s Nineteen Eighty-Four (1954) and Animal Farm (1955), as well as Graham Greene’s The Quiet American (1958).  Continue reading →